Even the rubbish on the flyleaf isn’t rubbish. One of the astonishing things about Simon Gray’s new book is that the publishers’ claim that their author has ‘developed a new literary genre’ turns out to be accurate. This is the same blend of autobiography, anecdote and random reflection that made The Smoking Diaries a bestseller.
The new book is better. Less childhood memoir and more present-tense insight. The style is chatty and deliberately ‘unfinished’ and gives the impression that the book was dashed off during a few wet afternoons at the Renaissance café in Holland Park where Gray likes to smoke and muse and write notes over a double espresso. He specialises in great trundling sentences of six or seven hundred words or more, filled with rhetorical digressions and scenic by-ways. But the labours of selection and revision have been brilliantly disguised. This is a work of enormous and conscious artifice.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in