Lauren Groff writes to alleviate her angst about aspects of life she finds hard to confront. Climatic disaster, misogyny, spousal death, flawed utopias and pandemics have all fuelled the plots of books as disparate as Fates and Furies, her 2015 contemporary two-hander about marital verisimilitude, and Matrix, which features a 12th-century feminist abbess based on the little-known poet Marie de France. Yet neither is a bleak read; indeed, Barack Obama selected Fates and Furies as his 2015 pick. Groff’s intoxicating 2018 story collection Florida threw the strains of motherhood into this mix: the mother in ‘Ghosts and Empties’ who laces her running shoes to pace the streets because she has ‘somehow become a women who yells’ and she does not want to become a woman who yells remains seared on my brain.
In her fifth novel, The Vaster Wilds, the American author turns her attention to colonial injustice in a prophetic tale about a servant girl who flees a blighted English settlement in 17th-century Jamestown.
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