A towering achievement: ENO’s The Yeomen of the Guard reviewed

The screw may twist and the rack may turn: the Tower of London, in Jo Davies’s new production of The Yeomen of the Guard, is a dark place indeed, and that’s as it should be. ‘Men may bleed and men may burn,’ intones Dame Carruthers, as she delivers a magic lantern show about the history of the Tower, complete with colour slides of famous beheadings. In The Mikado Gilbert uses capital punishment as a particularly spiky punchline, but in The Yeomen of the Guard, sentence of death has been passed before the curtain has even risen. The shadows are lengthening from the off, and even Sullivan’s cheeriest melodies have a dying fall. Davies compares the resulting blend of gaiety and melancholy to Twelfth Night, and for my money she’s nailed it – the point being, as Colonel Fairfax explains, that ‘it is easier to die well than to live well’.