Over the past 50 years, M. John Harrison has produced a remarkably varied body of work: a dozen atmospheric novels and five volumes of finely controlled short stories that have ranged from austere realism to operatic fantasy.
He is not easily pigeon-holed — an intentional state of affairs, but one that has denied him a large readership. The worlds of his science fiction are truly strange, yet he conjures them with piercing lucidity. For instance, Light (2002) is largely set 400 years in the future. The cosmos Harrison visualises is a place of splintery disruptions, but it is peopled with cruel and slovenly characters whose minds churn in entirely familiar ways. When he moves into less exotic terrain, he’s able to make everyday experiences feel alien — the best example being his 1989 novel Climbers, set in the Pennines among misfits who claw their way up crags, escaping one kind of precariousness by chasing another.
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