A tender portrait of Leonora Carrington, painter, writer — and a mother who was not always there

Ever since Leonora Carrington, the last of the Surrealists, died in 2011, having made it to her 94th year with her creativity undimmed — like that other postwar English exile P.G. Wodehouse — her afterlife has reaffirmed the old maxim ‘Now that I’m dead I’m finally making a living’. Her collected short stories (as grotesquely funny and sharp as her paintings and their titles) were published on her centenary in 2017. So, too, was a biography by Joanna Moorhead which to most editors would barely have qualified as a proposal. It ran to just over 200 pages, written by a journalist who is ‘especially interested in relationships and family life’ — but didn’t discover until middle age that her second cousin was a world-famous painter. So one rather suspects Leonora of having a joke at posterity’s expense by having allowed Moorhead to listen to her life story (without notebook to hand) — akin to Wodehouse’s decision, at death’s door, to let the uninvestigative David Jansen write his biography.