A tapestry’s rich life

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The Bayeux tapestry records pictorially in a series of 56 panels, stretching for 70 metres, the last successful invasion of England. It reveals that the invasion of 1066 was a combined operation involving the building of 800 ships to transport an army of some 12,000 men and 2,000 horses across the Channel. For its time it was as complex a piece of planning as the Allied invasion of Normandy in 1944.

Since its creation, probably in the 1070s, the tapestry had rested for centuries in comparative obscurity in the care of Bayeux cathedral. In the 18th century, squabbling British antiquarians, for whom the artefacts of the past constituted a supplement, even a substitute for the written record, had established its historical importance. But with the confiscation of church property in the early years of the French Revolution, the tapestry became the property of the state, and states use history and its artefacts for propaganda purposes.