When Zorrie Underwood, the titular character in Laird Hunt’s deeply touching novel about an Indiana farm woman, is pregnant, a little girl asks how her baby breathes. ‘Like a fish,’ says Zorrie, which is how Hunt treats his readers, luring them with a snapshot of Zorrie’s diminishing days before reeling them in as her life unspools.
Grief stamps an early and enduring presence on Zorrie when diphtheria takes her parents, leaving her to be raised by a harsh elderly aunt who had ‘drunk too deeply from the cup of bitterness after a badly failed marriage’. Zorrie takes solace in nature and nuggets of kindness from her schoolteacher, but finds herself alone again, aged 21, when her aunt dies, leaving her nothing. It is 1930, and Zorrie roams the state looking for work, in echoes of Marilynne Robinson’s Lila, one of many literary ghosts that haunt this finalist for America’s National Book Award last year.
In Ottawa, Illinois, Zorrie finds work painting luminous numbers on clock faces; she and the other ‘ghost girls’ lick the tips of their radium-dipped paintbrushes for precision.
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