Richard Bratby

A sugar rush for the eyes: Glyndebourne’s The Merry Widow reviewed

Plus: more operetta magic at Wilton's Music Hall, courtesy of Charles Court Opera

The director said that he had MGM in mind, and he delivers in spades: Glyndebourne's new Merry Widow. Image: © Glyndebourne Productions Ltd. Photo: Tristram Kenton

Already a subscriber? Log in

Election special offer

The stage is set. Grab a front-row seat with The Spectator. Subscribe and get 3 months for just £3 – plus a free election mug.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Spectator newsletters and podcasts
  • Our online archive, going back to 1828

Comments

Want to join the debate?

Only subscribers can comment. Sign up and – in the run-up to the election – you’ll get the next three months for just £3.

Already a subscriber? Log in