The Late Americans, Brandon Taylor’s second novel, follows the lives of a group of friends living in Iowa City over the span of a year. Early on, Seamus, a poet completing his master’s degree, imagines an ‘indifferent God… squinting at them as they went about their lives on the circuits like little automata in an exhibit called The Late Americans’, and this is a fine description of the novel. Each character is the focus of a chapter, and we watch as Seamus, Fyodor, Ivan, Timo, Noah, Bea, Fatima and Daw’s lives overlap, in bars, seminar rooms and dance studios, while they negotiate their place in a world determined by their race, class and wealth.
‘Late’ means at least two things for these Americans: they have to exist within the realities of late capitalism, but they are also too late to enjoy the security of mid-century American abundance and must make do with a precarious existence where work and relationships are hard to come by.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in