Sara Wheeler

A story of women and weaving – a new retelling of the Greek myths

There is an established trend to consider Greek myths from a female standpoint, but this book goes further by highlighting the central but underestimated role of textiles in the ancient world

15th-century miniature shows Arachne at her loom, visited by Athena disguised as an old woman. Credit: Bridgeman Images 
issue 04 September 2021

What are myths for? Do they lend meaning and value to this quintessence of dust? Like religion, perhaps they help us battle through. In weighing this issue, Charlotte Higgins demonstrates again why the Greek variety have never lessened their grip on the western imagination.

She structures her material around eight women — Athena, Alcithoë, Philomela, Arachne, Andromache, Helen, Circe and Penelope — and in particular around the scenes they weave. ‘I wanted the form of my chosen stories to be expressive in itself,’ she writes in the introduction. And it is. She draws in particular on the rich visual culture that has survived in ceramics, sculpture and frescoes. She also reveals how frequently female characters take control of a story, and how often this happens through the act of weaving, thus highlighting the central role of textiles in the ancient world. The word ‘text’ derives from Latin texere, meaning to weave or compose.

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