Peter Hoskin

A silent revival

Peter Hoskin says that thanks to the DVD and advances in film restoration there has never been a better time for movie fans

issue 18 February 2012

Peter Hoskin says that thanks to the DVD and advances in film restoration there has never been a better time for movie fans

Whatever happened to silent cinema? Oh, yes, that’s right, it was supplanted by the talkies in the late Twenties and early Thirties, until it suddenly came back to life in time for the Academy Awards next week. Never since the first Oscars were handed over in 1929 has a silent film looked more likely to win the Best Picture statuette. And even if The Artist doesn’t achieve what every bookie expects it to, then there’s always Martin Scorsese’s Hugo; not itself a silent film but — perhaps a first for a 3D kids’ film — it does revolve around the work of the early cinematic pioneer Georges Méliès. No wonder people are already talking about a ‘silent film revival’, and brushing up on their Méliès and their Chaplins, their Keatons and their Murnaus.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in