Lloyd Evans Lloyd Evans

A shrill, ugly, tasteless muddle: Romeo & Juliet reviewed

Plus: why has Seven Methods of Killing Kylie Jenner, a glib and aggressive play, been garlanded with awards?

Scruffy, rowdy, poorly acted and often incomprehensible: Romeo & Juliet at The Globe. Image: Marc Brenner 
issue 17 July 2021

What shall we destroy next? Romeo & Juliet seems a promising target and the Globe has set out to vandalise Shakespeare’s great romance with a scruffy, rowdy, poorly acted and often incomprehensible modern-dress production. It starts with two lads having a swordfight using curtain poles. Enter the Prince who fires a gun and halts the action. Then the preaching starts. ‘Rather than trying to understand the nature of the violence, the Prince threatens the community,’ says an actor. These intrusions continue. ‘Patriarchy,’ says someone else, ‘is a system in which men hold power.’ The slogan appears on a screen as well. (Patriarchy means ‘fathers’ holding power rather than ‘men’ but perhaps it’s unfair to expect anyone at the Globe to speak English.)

I was surrounded by yawning, distracted youngsters who seemed far too bored to follow the action

Next comes an advert for big pharma. ‘Twenty per cent of young people experience depression before they reach adulthood,’ says a performer.

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