Dan Hitchens

A short history of stained glass

How stained glass recaptured its medieval magic

‘Corporal Works of Mercy: Visiting the Sick’, 15th century, a window in All Saints Church, York. Credit: Michel M. Raguin  
issue 16 December 2023

On 13 December 1643, a Puritan minister called Richard Culmer borrowed the Canterbury town ladder and carefully leaned it against the Cathedral’s Royal Window. He then ascended the ladder’s 60-odd rungs, holding a pike; according to his account, modestly written in the third person, ‘Some people wished he might break his neck.’ Culmer had in his sights the ‘wholly superstitious’ depictions of the Holy Trinity, of ‘popish saints’ such as St George, and in particular of St Thomas Becket. There Culmer perched, he recalled cheerfully, ‘rattling down proud Becket’s glassy bones’.

‘Our lives are like broken bits of glass, sadly or brightly coloured, jostled about and shaken’

Culmer thus earned a place in the stained-glass hall of shame alongside Henry VIII, who set the precedent by smashing up Becket’s shrine in 1538; Edward VI, who icily decreed in 1549 that allegedly superstitious images should be ‘defaced and destroyed’; and many of Culmer’s fellow puritans, who wreaked havoc in the 1640s.

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