Bold decisions are at the core of great artistic directorship. And Tamara Rojo, the ballet star leading English National Ballet, knows that well. Le Corsaire is not the usual ballet classic one craves to see. Yet it makes a splendid addition to the already vast and multifaceted repertoire of ENB. Created in 1856, this work has stood the test of time. Thanks to endless revivals, it has become one of the most manipulated and interpolated choreographic texts. Its current popularity, however, stems from the now legendary revival that the Kirov ballet presented in the West in 1989. Glitzy and star-studded, that staging paved the way for many others, which led to more interpolations and revisitations, often in the name of the much dreaded choreographic philology.
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Such a choreographic patchwork does not lend itself to the trappings of modern-day stagings.
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