In the early 1990s, after the shock of the 1989 fatwa against Salman Rushdie, I began to do some research among those who condemned him, and learned that a strange thing was happening among young British Muslim men and women. I first wrote about this strange thing in my novel The Black Album, which concerns a young man who comes to London from the provinces to study and finds himself caught between the sex-and-ecstasy-stimulated hedonism of the late 1980s and the nascent fundamentalist movement. At the end of the novel the Asian kids ā as they were called then ā burn The Satanic Verses and attack a bookshop.
I followed this up with a story published in the New Yorker, āMy Son The Fanaticā. Set in Halifax, this story became a film made by the BBC and was released in 1997. Once more it was centered around the strange thing I had noticed: that these young Muslims wanted less sex, more obedience, worldwide revolutionary change and their own state based on religious principles.

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