Lloyd Evans Lloyd Evans

A play that explains why England’s football team are so lousy: Dear England, at the Olivier Theatre, reviewed

Plus: it’s an odd experience to see the annihilation of one’s own kind presented on stage while members of the audience giggle

Kel Matsena (Raheem Sterling) and Will Close (Harry Kane) in Dear England at the National Theatre. Credit: Marc Brenner 
issue 01 July 2023

James Graham’s entertaining new play looks at the England manager’s job. Everyone knows that coaching the national side is just a hobby. The boss picks the squad for a handful of fixtures each year and gives a pep talk at half-time followed by a post-match press conference. He’s spared the bother of speculating in the transfer market and he’s never troubled by verbal monsterings from foreign owners or irascible chairmen. And no salary ought to be paid because the incumbent is assured large earnings as a public speaker.

Instead of practising football the team fill up notepads with giddy jottings about their feelings

Graham’s play opens in 2016 with the appointment of Gareth Southgate, a dreamy weirdo from Sussex. Southgate was one of the best players Germany ever had. At Euro 96, he missed his kick during the penalty shoot-out and propelled the Germans into the finals which they won. He treats the England job as a chance to purge this awful memory from his tortured soul.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in