Andrew Lambirth

A photographer sheds new light on Constable Country

‘I’m not interested in the grand vistas of landscape but in the small details’ – Andrew Lambirth talks to Justin Partyka

‘Stratford St Mary’, 2012, by Justin Partyka [Getty Images/Shutterstock/iStock/Alamy] 
issue 17 May 2014

The phrase ‘Constable Country’ summons up a quintessentially English landscape: river and meadows, open vistas bordered by trees, the greens and golds of cultivated acres, with the wide (and often blustery) skies of East Anglia over all. John Constable (1776–1837) is one of our greatest artists and certainly one of the most popular. His vision of rural England has become a cherished ideal of how landscape should look, and is as much a state of mind as a real place. In actuality it is based around the village of East Bergholt where Constable was born, in the Essex–Suffolk border country, and extends through Dedham Vale and the valley of the river Stour. Constable famously painted nearby Flatford Mill, and the National Trust now administers a visitor centre there, which includes the Boat House Gallery, showing contemporary East Anglian artists.

Currently on view at the gallery is a small but choice selection of colour photographs by Justin Partyka (born 1972).

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