David Patrikarakos David Patrikarakos

A parable of good and evil

Colson Whitehead’s novel tells the stirring story of the secret routes and safe houses through which some 19th-century slaves managed to reach the free states and Canada

issue 15 October 2016

It is difficult to write well about slavery. As with the Holocaust, the subject’s horrific nature lends itself too easily to mawkishness. This tendency is one that Colson White-head consummately avoids in this impressive novel.

The Underground Railroad, set before the American civil war, tells the story of Cora, a young slave on a cotton plantation in Georgia, and her escape with a fellow slave, Caesar, via the Underground Railroad, a secret network of routes and activists that enabled slaves to reach the free states of America’s north. It tells it beautifully. The book mixes genres to sublime effect: a straight parable of good versus evil that sees Ridgeway the relentless (and remorseless) slave catcher face off against Cora, it is also a darkly picaresque work, as our heroine encounters various mishaps, moments of genuine terror and moments of (often misplaced) hope as she flees, state by state, towards freedom. Here is a bleak Tom Jones for the 21st century.

But above all, it is a forensic examination of the horrors of slavery.

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