It is difficult to write well about slavery. As with the Holocaust, the subject’s horrific nature lends itself too easily to mawkishness. This tendency is one that Colson White-head consummately avoids in this impressive novel.
The Underground Railroad, set before the American civil war, tells the story of Cora, a young slave on a cotton plantation in Georgia, and her escape with a fellow slave, Caesar, via the Underground Railroad, a secret network of routes and activists that enabled slaves to reach the free states of America’s north. It tells it beautifully. The book mixes genres to sublime effect: a straight parable of good versus evil that sees Ridgeway the relentless (and remorseless) slave catcher face off against Cora, it is also a darkly picaresque work, as our heroine encounters various mishaps, moments of genuine terror and moments of (often misplaced) hope as she flees, state by state, towards freedom. Here is a bleak Tom Jones for the 21st century.
But above all, it is a forensic examination of the horrors of slavery.
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