There was no printed programme for the Royal Liverpool Philharmonic Orchestra’s first concert under its music director designate Domingo Hindoyan. Nothing to download either; just a piece of paper the size of a train ticket, handed out by a steward with a conspiratorial air, containing a bare listing of the pieces we were about to hear. Stravinsky, Ravel and Prokofiev: fair enough. Known quantities. But about the second item on the programme — the world première of a new Trombone Concerto by Dani Howard —there was no information at all beyond that all-or-nothing title.
All to the good, you might think: pure music and unprejudiced listening. There’s no such thing, of course. From the moment the performers walk on stage, you’re making assumptions about what to expect; in this case a work unafraid of the raw power of its soloist, the young trombone virtuoso Peter Moore, and ready to use every colour of a full symphony orchestra.
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