James Walton

A neat fantasy that asks why Britons don’t revolt: BBC1’s The Way reviewed 

Plus: ITV's Covid drama Breathtaking is hamstrung by its own fervour

The formidably matriarchal Dee (Mali Harries) leading the strikes in BBC1's The Way. Credit: BBC/Red Seam/Jon Pountney  
issue 24 February 2024

‘The British don’t revolt, they grumble,’ said someone in the first episode of The Way. But what if we ever reversed this policy? That was the question posed by a drama that’s clearly a passion project for its director, Michael Sheen – and therefore set in Wales.

More specifically, The Way takes place in Port Talbot, the south Welsh town in which Sheen grew up and to which he moved back a few years ago, unexpectedly preferring it to LA. Or at least it takes place in a version of Port Talbot – because, perhaps necessarily for a show about a British revolution, there are hefty elements of the dream-like amid the realism.

You could accuse Breathtaking of relying on hindsight – but given its white hot fury, I wouldn’t

At the centre of the programme, as of the town, are the steelworks – which as one character said (and recent real-life announcements have confirmed) are ‘always under threat’.

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