Adam Hart-Davis

A method to his madness

His cartoons were semi-serious responses to societal problems, as this extract from Adam Hart-Davis's new book shows

issue 20 May 2017

I first came across the extraordinary creations of the artist and illustrator William Heath Robinson at least 60 years ago. I loved them, even though I may not have understood every nuance. When I look once more at old favourites such as the machine for conveying peas to the mouth I often spot in the corner some little twist or joke that I had not seen before.

What also wasn’t clear at the time is how prescient some of his contraptions were — in one illustration you can see a prototype selfie stick; in another he invents the silent disco. Many of his madcap solutions were semi-serious responses to societal problems. Some weren’t far off what serious inventors were coming up with themselves.

The expression ‘Heath Robinson’ has entered the dictionary to mean ‘an over-ingenious, ridiculously complicated or elaborate mechanical contrivance’. But early domestic gadgets were often ridiculously complicated. Hubert Cecil Booth’s original vacuum cleaner of 1901 was a steam-powered machine the size of a large cart, and pulled by horses.

Get Britain's best politics newsletters

Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.

Already a subscriber? Log in

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in