Adam Hart-Davis

A method to his madness

His cartoons were semi-serious responses to societal problems, as this extract from Adam Hart-Davis's new book shows

issue 20 May 2017

I first came across the extraordinary creations of the artist and illustrator William Heath Robinson at least 60 years ago. I loved them, even though I may not have understood every nuance. When I look once more at old favourites such as the machine for conveying peas to the mouth I often spot in the corner some little twist or joke that I had not seen before.

What also wasn’t clear at the time is how prescient some of his contraptions were — in one illustration you can see a prototype selfie stick; in another he invents the silent disco. Many of his madcap solutions were semi-serious responses to societal problems. Some weren’t far off what serious inventors were coming up with themselves.

The expression ‘Heath Robinson’ has entered the dictionary to mean ‘an over-ingenious, ridiculously complicated or elaborate mechanical contrivance’. But early domestic gadgets were often ridiculously complicated. Hubert Cecil Booth’s original vacuum cleaner of 1901 was a steam-powered machine the size of a large cart, and pulled by horses.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in