Lloyd Evans Lloyd Evans

A mesmerising piece of theatre: On Blueberry Hill reviewed

Plus: how did the air-headed extravagance that is Shoe Lady ever get produced?

issue 21 March 2020

On Blueberry Hill sounds like a musical but it’s a sombre prison drama set in Ireland. Two bunkbeds. Above, an older man, Christy. Below, his younger companion, PJ. They take turns to talk, and gradually they reveal how their lives are interwoven. These are men of unusual intelligence and articulacy, and both are so profoundly in love with life’s simplest joys that their incarceration seems barely credible. Each might be a professor of literature or philosophy.


During his boyhood, PJ tells us, he once worked as a golf caddy for a movie actor who shot a perfect round. It made him more happy than anything he had ever done. He tipped PJ ten shillings (50p), which was such a vast sum that his mother thought he’d stolen it. PJ started an affair with a novice priest whose speaking voice he loved. ‘He had an accent on him that could mash spuds.’

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