Michael Henderson

A man of many parts | 24 May 2018

There’s little Allam hasn’t tackled – from Shakespeare to Les Mis – in his four decades as an actor

issue 26 May 2018

A most excellent fellow, Roger Allam. On the stage he brings dignity to all he does, in the noblest traditions of the British theatre. Off it he is a fully paid-up member of the human race, admired by his comrades as a man no less than as an actor. Some mummers, eager to let off steam, occasionally let the side down. Allam is the sort of chap — star and team player — who brings the profession into repute.

Three times a winner of an Olivier award, twice for best actor, he is currently to be found on the West End stage in The Moderate Soprano, David Hare’s touching portrait of John Christie, Etonian, commissioned officer, eccentric and founder of Glyndebourne Festival Opera on the family estate in Sussex. ‘I’ve grown to love the man,’ says Allam. ‘He was an early car enthusiast and in 1911, with a couple of friends from Eton, he took a boat to France, and towed a barge behind with a car in it.

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