On the weekly ‘opinions’ afternoons, the public would arrive with carefully wrapped parcels holding items to be identified, writes Claire Wilcox. Sometimes this was a length of Brussels lace, sometimes a gown that could be dated not just to the year but to the season, because the fashion then was known:
Once, someone brought a box of medieval leather shoes and everyone was sent home while a specialist in protective clothing and mask was called in, in case they had come from a plague pit.
She was talking of the textile department of the Victoria & Albert Museum, where she had been senior curator of fashion since 2004. Among exhibitions she has organised at the museum are Radical Fashion, Vivienne Westwood, The Golden Age of Couture: Paris and London 1947-1957 and Alexander McQueen: Savage Beauty. She also instigated live catwalk events in the museum and has numerous other distinctions.
The Romans, with their hand-spun wool, were as driven mad by clothes moths as we are
In short, Professor Wilcox, a fashion intellectual, not only cares about clothes and the materials they are made of, she has a deep interest in their history.

Get Britain's best politics newsletters
Register to get The Spectator's insight and opinion straight to your inbox. You can then read two free articles each week.
Already a subscriber? Log in
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in