Lee Langley

A lost treasure of Japanese fiction – pocket-sized but world class

A review of The Hunting Gun and Bullfight, by Yasushi Inoue, translated by Michael Emmerich. Whether exploring the distanced and reflective or edgy and jagged, this Japanese author is a modern master

[Getty Images/iStockphoto] 
issue 17 May 2014

Think haiku, netsuke, moss gardens… Small is beautiful. Japanese art, a scholar of the culture once commented, is great in small things. Pushkin Press has a track record for bringing foreign language works, classic and contemporary, to a British readership, and with this pocket-sized, elegant duo they celebrate a modern Japanese master virtually unknown here.

Yasushi Inoue, one of Japan’s major literary figures, wrote his first novel, The Hunting Gun, in 1949, followed immediately by Bullfight. After 20 years as a journalist and literary editor, he was stepping into fiction. By the time he died in 1997 he had written 50 novels and nearly 200 short stories and novellas. Of all his books, he said, he felt closest to these two.

The Hunting Gun delicately anatomises a love affair, set within the framework of an unrelated event: the publication of a poem in a small, specialist magazine.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in