The defining feature of Chinese millennials is not Instagram, avocado on toast or propertylessness. Born in the early years of China’s growth miracle, my generation idled away days on dusty village roads that would be paved as we grew up. Our adolescence coincided with the arrival of the smartphone; and now, with our jet-setting cosmopolitan ways, we drive China’s global tourism boom. We are as much at home with squatting toilets as with Starbucks menus.
In Under Red Skies, Karoline Kan tells her own millennial story of rags to riches. She was born into a poor farming community, where her grandfather tilled the fields. When she was in primary school, the family moved to a nearby town, uprooted by the sheer determination of Kan’s mother, Shumin. They were ostracised as newcomers: migrants who would always be one rung below the townies. But Shumin’s gamble paid off when her daughter was accepted by a Beijing university.
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