So upsetting it would have been, for those of us who rate Lee Child’s Jack Reacher thrillers so highly, if handing them over to another author had made no discernible difference in quality. After all, we value Child as a writer, not as a production line. So here’s the good news: it makes all the difference. The Sentinel, the 25th Jack Reacher novel, is a travesty.
At 65, Child has finally carried out his long-held plan to retire. Andy Martin, his academic disciple, ended a second reverential study of his idol, With Child, by quoting Child saying to him: ‘Somebody else can do it for me… What about you?’, apparently in the hope it might really happen. Instead, Child has handed on the franchise to his younger brother, real name Andrew Grant, a much less successful thriller writer.
The attempt to move Reacher into the digital age (he tries a mobile) is a mistake, simply
It is unclear how much input Lee has had in this supposedly jointly authored work. He loyally maintains: ‘It’s as good as I could have done on my own. Better, in fact, because it has that extra energy.’ ‘Literally we are the same person, just 14 years apart,’ he asserts. Maybe. But not the same writer. Everything about The Sentinel — which sees Reacher battling a ransomware cyber attack in a small town a couple of hours out of Nashville, uncovering a conspiracy that involves both Russians seeking to pervert the elections and American Nazis hoping to recreate the Nuremberg rallies, the sinister mastermind manipulating all this boasting a reversible portrait in his study, Hitler on one side, Stalin on the other — is clumsy.
Andrew Child knows what he should be doing; he just can’t manage it. Reacher’s fabulous taciturnity? The killer phrase ‘Reacher said nothing’ is dutifully reproduced several times, but this Reacher says far too much.

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