Deborah Ross

A gripping portrait: Billie reviewed

Though it’s transfixing, this documentary is often a hard watch as well as a hard listen. This lady sang the blues for a reason

A gripping portrait: Billie Holiday and Mister. Credit: Gottlieb 
issue 14 November 2020

This documentary about Billie Holiday is transfixing. Not just because it’s about Billie Holiday — I am not into jazz yet her version of ‘Strange Fruit’ is obviously incredible — but for the previously unheard audio tapes recorded by Linda Lipnack Kuehl in the 1970s with the people who knew her. This includes, for instance, Billie’s cousin, John Fagan, who chucklingly says he pimped her out as a child — ‘girls started young’ — and that women who ‘step out of line’ like to be knocked about and are proud of having a black eye as it shows ‘someone loves them’. Or it’s a band member recalling how Billie had to enter through the kitchens at venues and had to ‘black up’ when playing with Count Basie’s band because she was fair and a white woman couldn’t be seen singing with non-whites. You do have to wonder if Billie, who died ravaged by drink and drugs at just 44, were to magically come back today, then she would complain that the world was now too ‘woke’.

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