Tom Stoppard

A graceful writer and a graceful man

Derek was straight out of Scott Fitzgerald, recalls Tom Stoppard, and his idea for a thriller about a double agent ordered to kill himself was absolutely brilliant

Left to right: Piers Paul Read, Derek Marlowe, Peter Bergman and Tom Stoppard, members of Literarisches Colloquium. COURTESY OF PIERS PAUL READ 
issue 02 May 2015

I wonder what happened to my first edition of A Dandy in Aspic. I must have been careless about lending it when it could no longer be bought. Derek’s succeeding novels, from The Memoirs of a Venus Lackey (1968) to The Rich Boy from Chicago (1979), are in their place on my bookshelves; seven titles, lacking the first and ninth. The last novel, Nancy Astor (1982), based on his own screenplay, had passed me by. But it was A Dandy in Aspic, written in four weeks in a flat he shared with me and Piers Paul Read just off the Vauxhall Bridge Road in 1965, that changed Derek’s life.

Derek, Piers and I were friends but not a trio. We each had a room and kept to it. We had a kitchen but seldom ate communally. It was the year of ‘You’ve Lost that Lovin’ Feelin’, by the Righteous Brothers: Derek played it on a loop.

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