Sebastian Smee

A fragile beauty

Colm Tóibín’s short stories hinge on lonely figures seeking what one of his narrator’s describes as ‘the chance… to associate with beauty’.

issue 16 October 2010

Colm Tóibín’s short stories hinge on lonely figures seeking what one of his narrator’s describes as ‘the chance… to associate with beauty’.

Colm Tóibín’s short stories hinge on lonely figures seeking what one of his narrator’s describes as ‘the chance… to associate with beauty’. Either that, or mourning the loss of that chance.

It’s a fine subject, and in the nine stories collected in The Empty Family, Tóibín’s first publication since last year’s wonderful Brooklyn, he addresses it in narratives of remarkable scope and variety. The settings range from Enniscorthy (Tóibín’s birthplace) to Dublin, from Menorca to Barcelona, and in these various settings Tóibín describes the experiences of the young and the very old, homosexual and heterosexual, Irish and Spanish, all with equal assurance.

And yet, for all their range, Tóibín’s stories are curiously all of a piece.

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in