Lloyd Evans Lloyd Evans

A flop: The Curious Case of Benjamin Button, at Ambassadors Theatre, reviewed

Plus: an hour and a half of delicious escapism at Duke of York's Theatre

The peek-a-boo school of acting: John Dagleish in The Curious Case of Benjamin Button. Photo: Marc Brenner 
issue 16 November 2024

The Curious Case of Benjamin Button carries a strap-line, ‘an unordinary musical’. Perhaps the word ‘extraordinary’ is simply too banal to capture the outstanding qualities of this unique show.

The year is 1918 and a miraculous birth occurs in a remote Cornish fishing village. The newborn is not a baby but an adult pensioner, Benjamin, who emerges from the  womb wearing a three-piece suit, a pair of spectacles and a bowler hat. His shame-faced mother hastens away from the family home and takes a walk along the cliffs, which results in her death. Suicide, perhaps. And Benjamin’s angry father locks him in the attic and refuses to let him out. Benjamin escapes and visits the local pub where he enjoys a single pint of ale every Friday night for the next four years.

Benjamin’s handicap makes his life easier as time passes. For a dramatist, that’s unhelpful

It transpires that Benjamin is doomed to live his life in reverse, growing younger while those around him age.

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