I’m a bit disappointed – déçu, as we Francophiles like to say – with La Maison. When French TV drama is good it can be very, very good, as we saw with Spiral, Les Revenants, and, maybe the best series ever made about spies, Le Bureau. But La Maison is not in their league.
This is a shame because its milieu is not one that has been explored that often in TV serials – and it’s something that a French production really ought to have handled brilliantly: haute couture. Judging by the fancy Parisian settings and general patina of Succession-style luxe, it hasn’t been short of a reasonable budget. What lets it down is that it appears to have no real love for or understanding of its subject matter. This is a fashion series made by people who hate fashion.
To appreciate what I’m getting at it helps if you’ve seen Kevin Macdonald’s recent documentary High & Low – John Galliano.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in