Philip Hensher

A family at war

<em>Philip Hensher</em> finds nothing very sinister or sensational about the 9th Duke of Rutland censorsing his own archives

issue 03 November 2012

The Quest for Corvo started something rather peculiar in biography. A.J.A. Symons’s 1934 classic — described as ‘an experiment’ — set out the biographer’s search for his subject, and not just the results. This was justified in the case of an elusive and unusual figure like the ‘Baron’ Corvo. Nowadays, many biographies are written like this, and we have to hear about the author tramping from archive to library to study. Can it really be justified in the case of a 20th-century duke, whose papers are in the order in which he left them?

I may be lacking in curiosity about the scholarly life, but I’m just not thrilled by the following paragraph in Catherine Bailey’s latest book: ‘I tapped in my reader number and selected “Search the Catalogue”. It was a bleak afternoon in late November and I was at the National Archives in Kew.’ Most readers would surely rather hear about the products of research, unadorned, than about the laborious process of getting there.

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