Richard Bratby

A euphoric meat-and-two-veg programme: Tonhalle-Orchester Zürich/Paavo Jarvi, at the Proms, reviewed

Plus: an irresistible Mikado, courtesy of Charles Court Opera

A formidable display of soft power: Paavo Jarvi conducting the Tonhalle-Orchester Zürich at the Proms. Image: Andy Paradise 
issue 09 September 2023

We used to call it a ‘meat and two veg’ programme, back in my concert planning days: the reliable set menu of an overture, a concerto and a symphony. It was an unfortunate term. No artistic planner likes to feel that they’re playing it safe, still less (and sources report that this goes double at the BBC) that they’re giving the public what they want. Traditional formats, familiar warhorses, dead white males: yawn! Then Paavo Jarvi and the Tonhalle-Orchester Zürich rock up at the Proms with a Beethoven overture, a Tchaikovsky concerto and Dvorak’s New World symphony and what do you know? The Royal Albert Hall was packed. 

We got pretty much the most euphoric sensation that the classical concert hall can offer

In fairness, it’s not every day that you get to hear Beethoven’s overture The Consecration of the House, though its late opus number (Op.124, so contemporary-ish with the Missa Solemnis) is a signal to expect something interesting.

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