Laura Gascoigne

A crash course in all things Hispanic: RA’s Spain and the Hispanic World reviewed

The Latin-American galleries are the most fascinating

Exquisitely gruesome: ‘The Four Fates of Man: Death, Soul in Hell, Soul in Purgatory, Soul in Heaven’, c.1775, by the Ecuadorian sculptor Manuel Chili ‘Caspicara’. Credit: On loan from The Hispanic Society of America, New York, NY 
issue 28 January 2023

‘Spain must be much more interesting than Liverpool,’ decided the 12-year-old Archer M. Huntington after buying a book on Spanish gypsies in the port city. The family of American railroad magnate Collis P. Huntington had just docked at the start of an 1882 European tour that would introduce Archer to the National Gallery and the Louvre. ‘I knew nothing about pictures,’ he later admitted, ‘but I knew instinctively that I was in a new world.’

It was the Hispanic world to which he was most attracted, and he hatched a plan to create a museum devoted to its study. His preparations were thorough; he learned Arabic as well as Spanish before setting off in 1892 on the first of three explorations of the Iberian Peninsula. He took a principled approach to art collecting: ‘To Spain I do not go as a plunderer,’ he vowed. ‘I will get my pictures outside [the country].’

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