D. J. Taylor

A complex creation myth: Alexandria, by Paul Kingsnorth, reviewed

Set in the Fens in the next millennium, this bleak novel centres on a small religious community who may be the last survivors on Earth

Paul Kingsnorth. Credit: Getty Images 
issue 20 February 2021

‘Challenging stuff,’ my wife remarked, having alighted on the page of Paul Kingsnorth’s new novel in which a character named el supplies several stream-of-consciousness paragraphs about a ritual dance featuring ‘big Birds runnin round Pole and fyr and mam and mother and all womyn and these big things all hummin’. Dystopian, or by the time you reach the final paragraph, maybe only utopian, Alexandria turns out to be set in the East Anglian fens a millennium or so in the future. Here lurk the last tattered remnants of a self-sequestered religious cult, their numbers steadily depleted by marauding ‘stalkers’, their destiny ever more uncertain.

By the time of the ‘sikkel moon’ only seven members of the ‘Order’ are still above ground: the nature-loving, teenage el, her parents sfia and nzil, unattached lorenso (whose illicit dalliance with sfia adds an extra layer of trauma to the proceedings), mother, father and a fast-fading shaman named yrvidian (‘he is not long for Erth’).

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