Oliver Tate, the hero of Submarine (Hamish Hamilton, £16.99), is a monologophobic parthenologist. Roughly translated, this means he is interested in finding new words to describe what it’s like being a virginal 14-year-old in Swansea. So is Joe Dunthorne, whose first novel this is, and both he and Oliver are extremely good at what they set out to do.
Dunthorne’s success is rooted in his star’s: Oliver is surely the most charming adolescent borderline sociopath since Martin Amis lit up The Rachel Papers with Charles Highway. This is the sort of teenager whose determination to help others overcome their distressing limitations is matched only by his blindness to how unwelcome such ministrations are. Faced with his parents’ faltering marriage, he follows his mother on a yoga retreat and hides in a bush to make sure she’s not cheating on his dad. He lists his girlfriend Jordana’s pros and cons: ‘Not a Fabian,’ he ponders.
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