Sometime in the early 1940s, when he was living in exile in LA, Thomas Mann picked up a copy of the National Geographic. Leafing through it, he found an article whose strapline was a Jules Verne novel in summary: ‘Half a Mile Down: Strange Creatures, Beautiful and Grotesque as Figments of Fancy, Reveal Themselves at Windows of the Bathysphere.’ Next to dark, exotic images of what appeared to be alien life from the abyssal depths of the sea was an account of how the author, a scientist named William Beebe, had become the 20th century’s first aquanaut in exploits so sensational that live radio broadcasts were made of his dives, as though he were taking a walk on the moon.
Beebe’s descriptions of a brave new world teeming with bizarre life prompted Mann to introduce him into Doktor Faustus (1947), in which the main character, an avant-garde composer named Adrian Leverkuhn, claims to accompany a fictionalised Beebe on his dives.
Comments
Join the debate for just $5 for 3 months
Be part of the conversation with other Spectator readers by getting your first three months for $5.
UNLOCK ACCESS Just $5 for 3 monthsAlready a subscriber? Log in