Rod Liddle Rod Liddle

A big thank you to Guy Goma: the wrong man in the right place

Rod Liddle salutes the Congolese man interviewed by mistake on the BBC, who revealed an uncomfortable truth about the way the media works

issue 20 May 2006

This year’s most compulsive television viewing came on BBC News 24 last week, when they interviewed the wrong man. They were doing a story about the legal battle over registered trademarks between the computer company Apple and the Beatles’ record label, Apple Corps. They intended to speak to an acclaimed information technology expert, Guy Kewney, but some hapless researcher went to the wrong reception area and somehow brought into the studio Guy Goma, a Congolese business graduate with an extremely limited grasp of the English language. One of those identikit, bloodless and chirpy News 24 anchor babes carried out the interview regardless: Mr Goma’s answers were wonderfully uninformed and, because of his accent, almost unintelligible. The chap had been waiting down in the reception area for a job interview at the BBC (presumably as a newsreader: diversity is strength, remember) when summoned to the studio. The real pleasure to be taken from this misconceived live encounter was the look of appalled astonishment on Mr Goma’s face when he was introduced to viewers as an IT expert; his eyes widened like they do in cartoons and his jaw dropped several inches. But he soldiered on, bless him. Mr Goma knew almost as little about information technology as the anchor babe and the BBC correspondent who later, blankly, commented upon his contribution.

And much fun was to be had at the BBC’s expense afterwards. Here, after all, was the emperor revealed brazenly in the altogether; News 24, with its constant parade of expert commentators pontificating upon important events — well, actually, who is to say they’re experts at all, that we should pay any attention to their perorations? Maybe they are all as divested of expertise as Mr Goma. It’s not journalism at all, really — just a cheap and mindless method of filling up airtime.

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