A barren prospect

In many ways this is a very old-fashioned novel. Jerome is 53, and a lacklustre professor at Columbia; his wife, Sylvie, 35, is a former topless dancer and aspiring film-maker. Sylvie has a dog but wants a baby. Together they will cross the former Soviet bloc looking for a child of their own, despite Sylvie having already had three abortions: Romania is their chosen finale, where, of course, orphans are two-a-penny.

There is much to admire in it; but the clever bits aren’t funny and the funny bits aren’t clever. The novel is littered with references to continental theorists. Blanchot, Lefebvre, Baudrillard, Deleuze, Guattari, Lacan all show up — poor old Derrida, left out! — but they are there as intellectual window-dressing. Their ideas are neither interrogated nor explored. It’s not the point. The protagonists are arch and aching, awed and awkward. Sylvie flits on the edges of dreadful parties, while Jerome capitalises on his closeness to the Parisian intellectual elite.