Cressida Connolly

‘Where are the happy fictional spinsters?’

In How to Be a Heroine, Samantha Ellis looks at the literary heroines who shaped her life — and finally finds one she can use as her role model

Scarlett O’Hara runs through the streets of burning Atlanta [Getty Images/Shutterstock/iStock/Alamy] 
issue 18 January 2014

This book arose from an argument. Lifelong bookworm Samantha Ellis and her best friend had gone to Brontë country and were tramping about on the Yorkshire moors when they began bickering: would it be better to be Cathy Earnshaw, or Jane Eyre? Ellis had always been fervently in the Cathy camp, re-reading Wuthering Heights every year (often in the bath) and swooning. But now, in her thirties, came an epiphany. She’d chosen the wrong heroine. This was understandable, given the ‘high drama’ of her family background, in the small community of north London Jews exiled from Baghdad. As she puts it:

An Iraqi Jewish endearment, fudwa, means ‘I would die for you’. In a five-minute phone call about yoghurt my grandma can offer to die for me ten or fifteen times.  So the Sturm und Drang of Heathcliff and Cathy’s love made sense to me.

Realising she should have backed Jane, it occurred to Ellis to revisit all her literary heroines and investigate their effect on her, for good and ill: ‘I hoped I’d still like them. 

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