Thomas W. Hodgkinson

‘Instapoetry’ may be popular, but most of it is terrible

The posts often seem like passing thoughts, hastily expressed and cut up at random

issue 23 November 2019

Poetry is on a hot streak. Last year, sales in the UK topped £12 million for the first time — a rise of more than 10 per cent for the second year running. According to Parisa Ebrahimi, the poetry editor at Chatto & Windus, one reason for the trend is that poetry is no longer the domain of the white male. This may be true, but how has it happened? Part of the answer is Instagram.

Designed as a social network for sharing photos, recently the app has been adopted and adapted by writers — few of them white, many of them women — who, rather than selfies and sunsets, post snippets of verse known as ‘Instapoetry’. And a handful of these Instapoets have become hugely successful. The Indian-born Canadian Rupi Kaur boasts nearly four million followers on Instagram. Her nearest rival, the Colombian-American R.M. Drake, has two million; the next, R.H.

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