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Should Axel Rudakubana have been given a harsher sentence?
Two big problems with the Sainsbury’s job cuts
Reform MP: Execute Southport killer
Watch: Gary Neville ducks Trump questions in Davos
Ed Miliband’s Heathrow turnround
Sadiq Khan’s ex-night czar cashes in
Rachel Reeves is getting an expensive lesson in economics
The EU’s decarbonisation plan can’t survive Donald Trump
The assisted suicide bill’s shameful lack of scrutiny
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Could Pierre Poilievre crush Canada's establishment elite?
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Spectator Life
An intelligent mix of culture, food, style and property, plus where to go and what to see.
Confessions of a Costco Guy
From the magazine
The Reagan effect on wine lists
From the magazine
The Arts Council should subsidise footballers
From Spectator Life
The vanity of hair transplants
From Spectator Life
Keith Jarrett’s accidental masterpiece
From Spectator LifeShortly before midnight on the evening of Friday 24 January 1975, at Cologne Opera House on the banks of the Rhine, a wiry 29-year-old from Pennsylvania walked onto the stage in front of a crowd of 1,400 people and began to play the piano, alone. The 50th anniversary of what followed is being celebrated with
Hunter’s chicken: the ultimate cheer-me-up-quickly recipe
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Industrial tragedy
The death of British manufacturing
Unmade in Britain: we’re becoming a zero-industrial society
The French sociologist Alain Touraine coined the term ‘post-industrial society’ in 1969. By the 1980s it had become shorthand for the kind of services-based, individualistic economies most major developed nations had created. Today, the UK is moving its economy beyond that. We are creating what might be called a ‘zero-industrial society’. Climate change targets, soaring
Unmade in Britain: we’re becoming a zero-industrial society
The French sociologist Alain Touraine coined the term ‘post-industrial society’ in 1969. By the 1980s it had become shorthand for the kind of services-based, individualistic economies most major developed nations had created. Today, the UK is moving its economy beyond that. We are creating what might be called a ‘zero-industrial society’. Climate change targets, soaring
Culture
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Like lying down in front of a bulldozer: the Jesus Lizard, at the Electric Ballroom, reviewed
From the magazineMany indie types from the 1980s and 1990s were secretly metal fans. But it’s not something they ever really wanted to admit to in public. They’d talk a good game about the Stooges and the Velvet Underground but back home – as was the case with Leeds’s goth overlord Andrew Eldritch, of the Sisters of
It’s no Citizen Kane: The Brutalist reviewed
From the magazine
Pious bilge: Kyoto, at @sohoplace, reviewed
From the magazine
Was Brazil the real birthplace of modernism?
From the magazine
Visual ingenuity and wit: Monument Valley 3 reviewed
From the magazine
Certainly intriguing: Apple TV+’s Prime Target reviewed
From the magazine
It’s moving to think how happy Van Gogh was in Brixton
From the magazine
Cartoons
Cartoon
‘‘On the bright side, we can be victims again.’’
Cartoon
‘‘Death, War – meet Artificial Intelligence.’’
Cartoon
