Why does Labour loathe ordinary people?
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Antique shops are melancholy places. The deep leather armchairs, Anglepoise lamps and bamboo bookshelves. They ask questions: who sat, worked or read using these? Banal questions, possibly, but life is generally banal, and no less poignant for that. It’s not an unpleasant sort of melancholia. Quite the opposite. If I had to create a word
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Morgan McSweeney is urging Keir Starmer to go for the kill
Morgan McSweeney, the Prime Minister’s Chief of Staff, does not immediately display the demeanour of a disruptor. He speaks softly, picks his phrases with care, and cultivates an unassuming image. But underneath the sober blue suit are the scars of a streetfighter. As a young man, McSweeney came to political maturity fighting the hard left in
Morgan McSweeney, the Prime Minister’s Chief of Staff, does not immediately display the demeanour of a disruptor. He speaks softly, picks his phrases with care, and cultivates an unassuming image. But underneath the sober blue suit are the scars of a streetfighter. As a young man, McSweeney came to political maturity fighting the hard left in
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Oliver! directed by Matthew Bourne is billed as a ‘fully reconceived’ version of Lionel Bart’s musical. Very little seems to have been reconceived. This stylish and dynamic show develops like an unblemished copy of Carol Reed’s film. Fair enough. Punters want comfort, not novelty when they go to see a 65-year-old musical. Billy Jenkins, as
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